Director Rating
205
Trophy Case
Achievements
Achieved Level 25
10,000 Influence
Scored a 70
2,500 Attendees
Season Participation
132
133
134
135
136
137
138
139
140
About
16, junior drum major at middleton high school in wisconsin!
favorite shows -- scouts '26, scv '25, bloo '16 & '24
favorite corps currently -- scouts, scv
favorite moment currently -- cadets '05 a capella percussion feature
clarinet (main), tenor sax (jazz), piano, color guard (hobby, not on a team)
future music educator!
Middleton High School Marching Band - '24 (4A state champion), '25 (4A runner up)
favorite shows -- scouts '26, scv '25, bloo '16 & '24
favorite corps currently -- scouts, scv
favorite moment currently -- cadets '05 a capella percussion feature
clarinet (main), tenor sax (jazz), piano, color guard (hobby, not on a team)
future music educator!
Middleton High School Marching Band - '24 (4A state champion), '25 (4A runner up)
Mendota Percussion Project (MPP)
Group Description
Events Hosted
Drums on Mendota - Season 132
Drums on Mendota II - Season 133
Drums on Mendota III - Season 134
Drums on Mendota IV - Season 135
Drums on Mendota - Season 136
Drums on Mendota VI - Season 137
Drums on Mendota VII - Season 138
Drums on Mendota VIII - Season 139
Drums on Mendota IX - Season 140
Seasons
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Show Title
gravity/orbit
Repertoire
1. Weightless
mainly front ensemble and brushes on drumline. No clear pulse at first, drill is scattered forms with slow drifting motion. Bass drums slowly give a light bass line to represent gravity.
2. Pull
The bass drum line slowly grows, as the drifting forms start to pull in. Sections begin locking into tempo, but unevenely. Lots of polyrythms but the same rhythm to represent rushing/dragging groups. forms start curving, arcs forming. People getting pulled in.
3. Orbit
Everything locks into a groove, repeated circular musical ostinatos. Call and response that rotates around the sections, body moves and drills and ripples that rotates around the sections.
gravity/orbit
Repertoire
1. Weightless
mainly front ensemble and brushes on drumline. No clear pulse at first, drill is scattered forms with slow drifting motion. Bass drums slowly give a light bass line to represent gravity.
2. Pull
The bass drum line slowly grows, as the drifting forms start to pull in. Sections begin locking into tempo, but unevenely. Lots of polyrythms but the same rhythm to represent rushing/dragging groups. forms start curving, arcs forming. People getting pulled in.
3. Orbit
Everything locks into a groove, repeated circular musical ostinatos. Call and response that rotates around the sections, body moves and drills and ripples that rotates around the sections.
| Date | Event | Score | Place |
|---|---|---|---|
| 5/17/26 | Drumline Finals - Division III | 65.450 | 3 |
| 5/16/26 | Drumline Semifinals - Division III | 65.220 | 3 |
| 5/15/26 | Drumline Prelims - Division III | 65.030 | 3 |
| 5/13/26 | PEARL Finals | 64.555 | 1 |
| 5/12/26 | PEARL Semis | 64.555 | 1 |
| 5/11/26 | Masters of FMA | 64.360 | 1 |
| 5/11/26 | Masters of FMA | 64.360 | 1 |
| 5/10/26 | Drum and Succeed | 64.140 | 3 |
| 5/9/26 | New York Invitational XXII | 64.135 | 3 |
| 5/7/26 | Music Through the Prairie VI | 63.725 | 3 |
| 5/6/26 | Mountain Top - Champions of Beats XXI | 63.515 | 3 |
| 5/5/26 | Guardian Classic Drumline Competiton | 63.495 | 1 |
| 5/2/26 | Maple Tree Drumming I | 62.730 | 1 |
| 5/1/26 | Drums Along The DuPage | 62.500 | 3 |
| 4/30/26 | Hobbiton Drum Line Festival | 62.525 | 2 |
| 4/29/26 | Royal Jubilee | 62.305 | 2 |
| 4/26/26 | The Beat | 61.620 | 3 |
| 4/25/26 | FMA - St Louis - Drumline | 61.405 | 2 |
| 4/23/26 | CIAA - pigRus event | 60.935 | 1 |
| 4/22/26 | Drumline is Fun 4 | 60.735 | 1 |
| 4/21/26 | Central States Invitational | 60.495 | 1 |
| 4/19/26 | Drums on Mendota VII | 60.155 | 1 |
| 4/17/26 | Lonestar Drumline Classic: Germany | 59.710 | 1 |
| 4/16/26 | Week 1 Opener | 59.510 | 1 |